Tag Archives: feed me

The TITs Week 14

13 Jan

Dear Silicone Squeezers,

To anyone who is reading this that has a knack for over embellished assassinations, please listen up. Someone has just played me the new Britney Spears song, and it seems that she has set her fat fucking grubby hands on the neck of our beloved dubstep genre, trying to strangle it for all the mainstream money its worth. I will handsomely pay any bounty hunter who tracks Britney down and kills her in the most overtly gruesome method possible. She has gone too far this time, as desecrating a sacred genre that hasn’t even reached its peak yet is a crime deservingly punishable by death. Now that weve got that out of the way, here is your weekly breastfeeding from the nipples of awesome.

P.S. we are still in the process of giving the site a facelift. My inability to come to a conclusion of an acceptable template for the site is irritating, i know, but its a process. Unless one of you readers out there can design me a website to my incredibly bizarre specifications, the overhaul process might take a bit so bare with us!

– Signed Sincerely, The Worst Guy

(to download tracks right click the pink link & press “save link as”)

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Chris Brown – Look At Me Now (Feat. Busta Rhymes & Lil Wayne)(Prod. Afrojack & Diplo)

The only reason this song is fantastic is because of Busta Bust. You might as well just start the track at 1:08 mark, after chris is done “rapping.” Busta busts in and throws up a “hail breezy,” and shows us how to “keep the dice rolling when hes doin his thang”. Regardless of how retarted that sounds, Busta absolutely destroys his cypher, reminding us why he still exists in the rap game. The backbeat produced by Afrojack & Diplo is trippy and simple, and by speeding his rap tempo up to every 1/16 count, Busta sounds like hes rapping at mach 3. After two big gulps for air, a minute has gone by and Busta has officially converted the track to something impressive. Weezy’s cypher in the end is decent enough, but a version with busta bust for all 4 minutes woulda been more than derperful.

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Feed Me – Grand Theft Ecstasy

Jon Gooch’s To Do List: 1) start producing ✔ 2) focus on drum and bass and change name to Spor ✔ 3) get tired of drum and bass ✔ 4) change name to Feed Me & focus on electro-house and dubstep muzik ✔ 5) produce a couple of banging tracks ✔ 6) get signed by Mau5strap label ✔ 7) make an EP ✔ 8 ) have EP rape Beatport charts ✔ 9) tour with Deadmau5 ✔ 10) make the Worst Guy’s TITs ✔

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Cyberpunkers – Fuck The System (Designer Drugs Remix)

This song just made me vomit a little in my own mouth. The Cyberpunkers seem to share several commonalities with The Bloody Beetroots (also known as TheWorstGuy’s biggest mancrush). For one, they are both from Italy, wear cool-as-shit headgear (not Venom, but paintball masks) and create headbanging, mosh-worthy bangers. Designer Drugs does a great job at keeping the Beetroots-esque tone, but with their own original touch of godliness.

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The Bloody Beetroots – Dimmakmmunication

After their recent concert, I have been perpetually reliving my love for the Beetroots over and over again through this track. Intolerable amounts of repetition has been the name of the game for the past 5 days, and my adoration for the boys from venice has never been stronger. This song is the definition of perfection, and I hope it brings you as much joy as it does for me. For a full review of their recent sets in Waterloo & UWO click me.

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Kanye West & Jay-Z – H.A.M.

I have been in a conundrum about this song since I heard it. Its J and Kanye so its not unreasonable to expect this song to be sensational, but after I first heard it I was very disappointed. After a couple of subsequent pressings of the repeat button, the song started sounding a little better. My biggest problem is that ever since the release of My Beautiful Dark Twisted Fantasy, I now snobbishly expect every Kanye track that comes out to be on the same ridiculous level of production. In that sense, this song just doesn’t measure up to its potential, but Ill let you be the judge.

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Porter Robinson – The Wildcat (Lazy Rich Remix)

Porter Robinson has done quite a shitload of work over the past year or so of blowing up on to the scene. Starting with “Say My Name” he has nestled up quite a large, permanent space in my head and I doubt he’ll ever leave. The sky is the limit for this prodigy from Carolina and I am looking forward to his live skills next month in the Tdot.

Indubitably Dubstep Vol. VII

6 Jan

To my loyal Dub-Minions,

I have returned from the warmth of the south, kicking and screaming all the way back to the frozen tundra I call my home. It has been a while since I have seen all that strange, flaky white substance falling from the sky, but after one glimpse of the madness approaching Southwestern Ontario over the next few months, I think I made a good decision to get my ass back in that parka. I don’t mind though, seeing how so many DJ’s will be coming to melt the snow [and faces] off everyone with half a brain who bought tickets already. 2011 is really starting off with a bang, as there are loads of albums awaiting to be dropped, like Nero’s new album set to be released in the coming month, as well as a slew of sweat-drenched nights in clubs all over the country.

While cruisin’ the south on vacation these past couple weeks, it became painstakingly apparent to me that clubs would rather play the same old garbage night in and night out, sticking to the same boring Top 40 bullshit that people like Ke$ha, Taio Cruz and Justin Beiber have shat on and called ‘home’. Occasionally I would hear a Deadmau5 track (usually the classic, but overplayed ‘Ghosts N Stuff’) or Yolanda Be Cool & DCUP’s ‘We Speak No Americano’ but beyond that people seem to be stuck in a Billboard coma. At about the 5th rendition of B.E.P’s ‘Dirty Bit’ one night, I decided that enough was enough and ventured over to the DJ booth where I began to plead to the DJ to throw on some Dubstep in order to save his and everyone in the club’s souls. He turned to me and said “I can only play music that will make people wanna dance”. He was wrong on so many levels. For one, there were maybe 10 people on the dancefloor, 6 of which looked like they were just waiting for the YMCA song to come on, the others just casually nodding their heads along to what I think was Miley Cyrus’ ‘Party in the U.S.A’. Secondly, how could he even think that by throwing on some down right dirty basslines and heavy drum beats would make people do less dancing than what was already going on? Too enraged to argue any further, I stormed out of the club and ran as quickly as I could to my laptop for some much needed Dubstep-medication. For all of you who have gone through the similar pains as I have, I feel for you and urge you to listen to these filthy tracks if you are in need of some serious earhole treatment. Oh, and I DARE you not to dance dirty to these gems.

Signed Sincerely, Dr. Robotnix

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Zeds Dead

Zeds Dead – Here Comes The Boom

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Calvertron

Calvertron & Figure – Bring The Bass Back (Calvertron Remix)

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Feed Me

Feed Me – Cloudburn feat. Tasha Baxter

Feed Me – Blood Red

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Skream

Skream – Gather Round

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Hulk

Hulk – Run Train

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Jack Beats


Diplo & Blaqstarr – Get Off (Jack Beats Remix)

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Benga

Magnetic Man feat. Katy B – Perfect Stranger (Benga Remix)

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Trevor Off Key

Trevor Off Key – Day & Night (The Smokers Refix)

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Nero

Nero – Me & You (Danger Remix)

Nero – Welcome Reality

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